Graham Moore’s The Sherlockian juxtaposes a modern-day mystery to be solved by an earnest young Sherlockian, Harold White, who has just been inducted into the premier Sherlockian society, the Baker Street Irregulars, and a period mystery in which the sleuth is none other than Arthur Conan Doyle, ably assisted by Bram Stoker, who found fame with Dracula. Holmes himself does not appear in The Sherlockian, but the book is a testament to our enduring, collective romance with the great detective. The existence of Sherlockian societies is a similar testament. Indeed, I briefly belonged to such a group many years ago when I lived in Wisconsin. We met in a cozy tavern appropriately called Sherlock’s Home.
Our long-term fascination with Conan Doyles’ creation puzzled even the author himself, who tried to kill Holmes off at the Reichenbach Falls only to feel compelled to bring him back to life for a further series of adventures after what came to be known as the Great Hiatus. Certainly more than the stories must be credited for such longevity, for there is something utterly captivating in the brilliant, maddeningly eccentric personality of Sherlock Holmes.
Another recent addition to the genre is a new British television series, Sherlock (shown on PBS), in which the dashing, improbably named actor Benedict Cumberbatch portrays a Holmes for the 21st century. Cumberbatch’s detective captures all of the nuanced neuroticism so ably conveyed from 1984 to 1994 by Jeremy Brett. For many, Brett was the definitive Holmes. His interpretation was the most compelling of the second half of the 20th century, and he might have filmed the entire Holmes canon had he lived long enough. In the new Sherlock, Martin Freeman is quite believable as a serious, conflicted Dr. Watson.
Bringing Holmes into a contemporary era is a neat twist but nothing new. Another well-remembered Holmes and Watson duo, Basil Rathbone and Nigel Bruce, played not only the period mysteries but in a few set against the backdrop of World War II.
To be sure, Cumberbatch and Freeman are a more interesting pairing than the latest Hollywood big-budget foray into the canon, starring Robert Downey, Jr., and Jude Law as Holmes and Watson respectively. Their 2009 Sherlock Holmes seems more focused on special effects than telling a good story. Nonetheless, a sequel is said to be in the making.
There will be more of the Cumberbatch Holmes stories, too, thankfully. And doubtless someone at this moment is crafting yet another book somehow related to Holmes, this icon of the detection genre. With all of this enduring interest, we should be assured of many fine tales yet to come.
(The Sherlock Holmes illustration is by artist Sidney Paget, drawn in 1904.)
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